Sixteenth Century Italian Drawings from the Collection of Janos Scholz.

A loan exhibition from the Department of Antiquities of Arab Republic of Egypt. London, British Museum, 1972. London, Hold at the British Museum 1972, cm.21x23,5, pp.47,(105), illustraz. bianco e nero e a colori nel testo, brossura, copertina figurata a colori.

English edition. Textes by Dr. Heinz Fischer, Prof. Agnes e Prof. Karlheinz Essl, Wieland Schmied, Sara Smidt, Francesco Bonami, Andreas Felber e Gottfried Knapp. 15.03.2007 - 26.08.2007. 35th Anniversary of the Essl Collection. Wien, Sammlung Essl, 2007, Three volumes enclosed in a cardboard slipcase. cm.24x30, pp. Profusely illustrated in color. softcover. A spectacular retrospective and catalogue of this extensive and comprehensive collection. Wonderful color illustrations throughout.

Text by Jody Clowes. Chazen Museum of Art 2007, cm.22x28, pp.124, ill.col. brossura copertina figurata a colori. Chazen Museum of Art Catalogs. The history of contemporary American metalsmithing is inextricably linked with the academy. Since the 1950s, nearly every significant artist working in metals has trained at a university or art school—fertile ground for innovation and exploration in metalsmithing and jewelry making. The University of Wisconsin-Madison's metals program is among the best in the nation, founded on the teaching legacy of Fred Fenster and Eleanor Moty, who instilled in their students a profound respect for craftsmanship, technical innovation, formal integrity, and thoughtful design. The work in this catalogue encompasses hollowware and jewelry, wearable sculpture, poetic and narrative objects, and conceptual installations. The show at the Chazen Museum of Art was produced by guest curator Jody Clowes

London, Walpole Gallery, 28 June - 28 July/4 - 9 September, 2000. Edited by Ferdinando Peretti. Società Editrice Umberto Allemandi & C. 2000, cm.21x30,5, pp.108, 36 plats in colours in the text. paperback. The thirty-six works in THE SETTECENTO IN VENICE reflects the sparkling Venetian sensibility so influential in the artistic development of Europe. Throughout the 18th century Venice had been losing the solid economic and political power acquired during the glory of the previous centuries. The Settecento was an age of economic decline, but with an incredible artistic fervour supported by the painting tradition from the 15th century onwards. With the support of a tolerant government, and a benevolent cosmopolitanism, Vencie lived the last and most suggestive time of its millennium vicissitude: 'this was the mighty roar of an old lion'."

Vie de Voltaire. Paris, Armand-Aubrée Editeur 1829, cm.13x21,5, pp.451, rilegatura in mz.pelle, fregi e titoli in oro al dorso.

Presentazione di Maurizio Fagiolo dell'Arco. Milano, Skira per Corriere della Sera 2004, cm.17x21, pp.189, numerose tavole a colori. brossura con bandelle e copertina figurata a colori. Coll.I Classici dell'Arte Il Novecento.