Serpico.

Traduz.di Francesco Saba Sardi. Milano, Rizzoli Editore 1974, cm.14,5x22,5, pp.331, legatura ed.cartonata, sopraccop.fig.a col. (segni d'uso alla sopraccoperta). Terza edizione.

Traduz.di F.Saba Sardi. Milano, Rizzoli Ed. 1976, cm.11x18, pp.311, tascabili, cop.ill.a col. Coll.BUR,99.

Traduz.di Ettore Capriolo. Novara, Ist. Geografico de Agostini 1987, cm.14x22, pp.351, legatura ed. sopracop.fig.a col.

A cura di Terenzio Grandi. Roma, Istituto per la Storia del Risorgimento Italiano 1957, cm.18x25, pp.X,362, 3 tavv.in bn.ft. di cui una a doppia pag., brossura Coll.Biblioteca Scientifica. Serie II: Fonti,XXXIX.

Koln, Karl Muller 2003, cm.33x30, pp.140 di tavole a colori. legatura ed.soprac.fig.a col.

Text by Jody Clowes. Chazen Museum of Art 2007, cm.22x28, pp.124, ill.col. brossura copertina figurata a colori. Chazen Museum of Art Catalogs. The history of contemporary American metalsmithing is inextricably linked with the academy. Since the 1950s, nearly every significant artist working in metals has trained at a university or art school—fertile ground for innovation and exploration in metalsmithing and jewelry making. The University of Wisconsin-Madison's metals program is among the best in the nation, founded on the teaching legacy of Fred Fenster and Eleanor Moty, who instilled in their students a profound respect for craftsmanship, technical innovation, formal integrity, and thoughtful design. The work in this catalogue encompasses hollowware and jewelry, wearable sculpture, poetic and narrative objects, and conceptual installations. The show at the Chazen Museum of Art was produced by guest curator Jody Clowes

Texte établi et annoté par Louis Martin Chauffier. Paris, Gallimard Ed. 1947, cm.11x17,5, pp.796, legatura editoriale in tutta pelle, sopracoperta figurata.. Coll.Bibliothèque de la Pléiade,8.