Quelques témoignages.

Pref.di A.Cajumi. Milano, Longanesi 1955, cm.12,5x19, pp.354, legatura ed. sopracop.fig. Coll.La Vostra Via,18.

Paris, Libraire Plon 1919, cm.11x18, pp.307, rielg.in mz.pelle , 5 nervi al dorso. première édition.

Paris, Librairie Plon 1907, cm.12x18, pp.404, rilegatura ed.in mezza pelle, titoli in oro al dorso. Testo in francese.

Texte définitif. Illustrations d'après les acquarelles de Starace. Paris, Arthème Fayard et Cie Editeur s.d. (1900 ca.), cm.17x24, pp.127, numerose ill.in bn.nt., rilegatura coeva in mz.tela, piatti in cartone grezzo, dorso muto. [copia in buono stato] Collection Modern-Bibliothèque.

United States, The Perseus Press 2002, cm.16,5x24,5, pp.XXX,466, num.ill.bn.nt. legatura ed.soprac.fig. The Diligent began her journey in Brittany in 1731, and Harms follows her along the African coast where her goods were traded for slaves, to Martinique where her captives were sold to work on sugar plantations. Harms brings to life a world in which slavery was a commerce carried out without qualms. He shows the gruesome details of daily life aboard a slave ship, as well as French merchants wrangling with their government for the right to traffic in slaves, African kings waging epic wars for control of European slave trading posts, and representatives of European governments negotiating the complicated politics of the Guinea coast to ensure a stead supply of labor for their countries' colonies. The Diligent is filled with rich stories that explain how the slave trade worked on all levels, from geopolitics to the rigging

Paris, Rouart Lerolle & Cie 1939-1941, 3 voll.in uno, cm.16,5x27, pp.44; 77; 96, 12 tavv.in bn.ft., rilegatura anni '50 in mz.pelle, piatti in carta francese, titoli e filetti in oro al dorso, segnalibro in stoffa. Copp.origg.conservate. Restauro alla cop.del vol.III. Interni ingialliti per il tipo di carta ma buon esempl.

Prima edizione. Firenze, G.Nerbini Editore 1899, cm.17,5x24,5, pp.350, numerose tavv.in bn.nt., rilegatura coeva in mz.tela con angoli ai piatti in carta francese, dorso muto. (usuali segni d'uso alla leg.; piccola lacuna all'angolo inf.interno delle prime 2 cc. senza pregiudizio per il testo; sigla di appartenenza al frontesp.; fioriture al frontesp.e all'ultima c.)

Une série photographique de Martin Widmer réalisée dans l'exposition de Jonathan Binet. Graphic design: Martin Widmer. Bilingual edition (English / French). CAN 2015, cm.23x33, pp.48, hardcover. col. A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.