Il museo Pigorini. Testi di M.Ornella Acanfora, Ernesta Cerulli, Renato Peroni, Valeria Petrucci, Carla Rocchi, P.Claudio Sestieri.

Presentaz.di Guglielmo Gatti. Roma, Casa Editrice Colombo 1973, cm.20,5x23,5, pp.334, numerose ill.e tavv.in bn.e a col.nt., legatura ed.in tutta tela, sovraccop.fig.a col.

Presentaz.di Guglielmo Gatti. Roma, Casa Editrice Colombo 1973, cm.20,5x23,5, pp.334, numerose ill.e tavv.in bn.e a col.nt., legatura ed.in tutta tela, sovraccop.fig.a col.(mancante)

Firenze, Palazzo Strozzi, 2-6/9/1956. Firenze, Sansoni Ed. 1958, cm.17,5x25, pp.286, 23 tavv.ft.bn. brossura intonso. Istituto Nazionale di Studi sul Rinascimento.

Ediz.accresciuta, ordinata e corretta da Antonio Ranieri. Premessa di Francesco Cossiga. Firenze, Le Monnier 1987, cm.12x18, pp.XXXII,202, legatura ed. sopracop. Coll.Opere di G.L. Ristampa anastatica dell'ediz.del 1845.

Con l'interpretaz.di Giuseppe De Robertis. Nuova ristampa. Firenze, Felice Le Monnier Ed. 1940, cm.12,5x19, pp.XXVII,382, rilegatura in mezza tela, e carta floreale.

Plays in Production. Cambridge University Press 2008, cm.13,5x21, pp.228, brossura cop.fig. This 1995 critical study of Ibsen's A Doll's House addresses fundamental questions of text, reception and performance. What is the definitive 'version' of A Doll's House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended for recipients in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? And to what extent do differences between the media and between directorial approaches influence the meaning of the play text? Discussions of these issues include an internal analysis of the dramatic text and comparative performance analysis, framed by the biographical background to the play and its impact on dramas by Strindberg, Shaw and O'Neill and on films by Ingmar Bergman. The book concludes with a list of productions and a select bibliography.