Prova d'appello.

Traduz.di Laura Grimaldi. Milano, Arnoldo Mondadori Ed. 1993, cm.14,5x22,5, pp.395, legatura ed. sopraccop.fig. Coll.Omnibus.

Traduz.di Roberta Rambelli. Milano, Arnoldo Mondadori Editore 1987, cm.15x22,5, pp.442,(2), legatura editoriale cartonata, con sopraccoperta figurata. Collana Omnibus Stranieri.

Traduz.di Roberta Rambelli. Milano, Mondadori Ed. 1990, cm.14,5x22,5, pp.535, legatura ed. sopraccop. Coll.Omnibus.

Traduz.di Roberta Rambelli. Milano, Arnoldo Mondadori Editore 1987, cm.15x22,5, pp.442,(2), legatura ed.cartonata, sopraccop.fig. (firma di appartenenza e data all'antiporta.) Coll.Omnibus.

Roma, Ediz.dell'Ateneo 1980, cm.22x28, pp.XI-604, brossura sovraccop.fig. Coll.Biblioteca di Studi Etruschi,1.

String Orchestra Method/Supplement. A Journey into the Wonders of Strings Palying. Van Nuys, Alfred Publishing Co. 2002, cm.23x30,5, pp.47, brossura cop.fig.a col. Coll.String Explorer,20602. Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind.

A cura di Richard Appignanesi. Icon Books 2001, cm.14x21, pp.176 ill.bn. brossuracopertina figurata a colori. The last few decades have seen an explosion in the production of critical theories, with deconstructionists, poststructuralists, postmodernists, second-wave feminists, new historicists, cultural materialists, postcolonialists, black critics and queer theorists, among a host of others, all vying for our attention. The world around us can look very different depending on the critical theory applied to it. This vast range of interpretations can leave one feeling confused and frustrated. Introducing Critical Theory provides a route through the tangled jungle of competing theories. It provides a context for these recent developments by situating them within the longer-term tradition of critical analysis going back to the rise of Marxism. The essential methods and objectives of each theoretical school are presented in an incisive and accessible manner. Special attention is paid to recurrent themes and concerns that have preoccupied a century of critical theoretical activity.

Oxford, Oxford University Press 2001, cm.14,5x22, pp.324, legatura editoriale cartonata con sopraccoperta figurata a colori. Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vital forms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fates and explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.