L'uomo fedele.

Milano, Ediz.Paoline 1990, cm.13,5x21, pp.116, brossura cop.fig.

seconda edizione. Milano, Rizzoli Ed. 1970, cm.14,5x22, pp.173, legatura ed. cop.ill.a col. Collana La Scala.

Milano, Feltrinelli Ed. 1960, cm.11x18, pp.200, brossura cop.fig.a col. Collana Universale Economica.

Bergamo, Istituto Italiano d'Arti Grafiche 1940, cm.21x25,5, pp.46, 144 ill. e tavv.in bn.ft.e una a col. applic. all'antip., legatura in tutta tela, sopraccop.fig.

Introduz., testo e note al testo a cura di L.De Nardis. Roma, Ediz.dell'Ateneo 1966, cm.14x21, pp.XLIV-568, legatura ed.in tutta tela, fregi e titoli in oro al dorso, sopraccop.fig. Collana Poeti e Prosatori Francesi.

Brugge, Stichting Kunstboak 1997, cm.24x33, pp.130, numerose tavole a colori, anche a tutta pagina, brossura con bandelle e copertina figurata a colori. Testo in francese, tedesco, olandese, inglese. When Felicien Rops (1833-1898) moved to Paris at the age of 41, he immediately became the best paid illustrator in the city. The publication of his satirical lithographs in Belgian magazines paved the way for his great breakthrough and his frontispice for Baudelaire's Espaves added the final touch to his burgeoning fame. Rops was a brilliant observer who painted atmospheric seascapes and landscapes. However, it was his ironic, caricatured and sometimes risque drawings, lithographs and engravings that were especially popular. Now, a hundred years since the artist's death, his work has lost none of its playfulness or eloquence.