La Madonna Assunta.

Preface by Miguel Arruda. Introduction by Maurizio Vitta. Milano, L'Arca Ediz. 1997, cm.24x35, pp.79, num.ill.e tavv.a col.nt. brossura con bandelle, cop.fig.a col. Coll.Civil Architecture/ Art.

Con introduzione a cura di Mario Novaro. Bari, Laterza 1980, cm.14x22, pp.194, brossura copertina figurata a colori. Ristampa dell'edizione del 1949.

cofanetto contenente 2 tomi con 1 volume, 2 CD, 1 DVD. Teatro alla Scala. Milano, Electa Mondadori per Intesa San Paolo 2010, cm.25,5x28,5, pp.144, numerose ill.a col.n.t. Legature editoriali cartonate, in cofanetto. Coll.Vox Imago.

Cambridge University Press 1998, cm.13,5x21,5, pp.XIV,142, brossura con copertina figurata. This extended essay by one of the world's leading historians seeks, in its first part, to excavate and to vindicate, the neo-Roman theory of free citizens and free states as it developed in early modern Britain. This analysis leads on to a powerful defence of the nature, purposes and goals of intellectual history and the history of ideas. As Quentin Skinner says, 'the intellectual historian can help us to appreciate how far the values embodied in our present way of life, and our present ways of thinking about those values, reflect a series of choices made at different times between different possible worlds'. This essay provides one of the most substantial statements yet made about the importance, relevance and potential excitement of this form of historical enquiry.