Haut poitou roman.

Paris, Zodiaque 1971, cm.20x27, pp.124, num.ill.col.e bn.nt. brossura soprac.fig.a col. Collana Le Travaux des Mois,5.

Fotografie di JAcques Rouiller, prefazione di Hermann Baur. Traduzione di CArmen Gregotti Magni. Milano, Il Parnaso Editore 1963, cm.17,5x22,5, pp.192 centinaia di figure bn. legatura editoriale cartonata copertina figurata. Collana Il Mondo dell'Architettura.

Zodiaque 1993, cm.24,5x30, pp.140 illustrato bn. legatura editoriale cartonata con sopraccoperta figurata a colori. Coll.La Voie Lactée,2.

Prefazione di Hermann Baur. Paris, Office du Livre 1964, cm.21x21, pp.194, numerose figure bn. nel testo, brossura copertina figurata a colori. Collana Architecture Universelle. testo in francese.

Cambridge University Press 1988, cm.17x24, pp.208, brossura con copertina figurata a colori. Edizione Inglese Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.

Firenze, Editrice La Ginestra 1989, cm.15x21, pp.127, illustrazioni in bianco e nero e a colori, brossura con sopraccoperta figurata,