Acta Demotica. Acts of Fifth International Conference for Demotists.

Roma, 20-26 settembre 1936. Roma, Tipografia del Senato 1939-1940, 2 voll. cm.18,5x25, pp.618,740, brossura Coll.Studi Bizantini e Neoellenici,5,6.

Torino, 15-19 Maggio 1994. A cura di Giorgio Bárberi Squarotti e Carlo Ossola. Firenze, Olschki Ed. 1997, 2 tomi. cm.17x24, pp.XVIII,1288 con 76 ill. ft. legature editoriali cop.figg.a col. Coll. Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia, 267 Associazione internazionale per gli studi di lingua e letteratura italiana - Atti di convegni. L’opera testimonia, dal Medioevo all’età contemporanea, con particolare riferimento all’800 e al ’900, all’era della civiltà industriale e alle sue trasformazioni, la varietà e la ricchezza di una lingua aderente agli oggetti e ai modi del produrre, i gen From the Middle Ages to the present day, with particular reference the 19th and 20th centuries, to the age of industrial civilisation and the transformations it brought about, this work evidences the variety and the riches of a language in keeping with th

San Giovanni in Fiore, 16-21 settembre 1999. A cura di Roberto Rusconi. Roma, Viella 2001, cm.17x24, pp.378, 8 tavv.in bn.ft., brossura, cop.fig.a col.con bandelle. Coll.Opere di Gioacchino da Fiore. Testi e Strumenti,13.

Firenze, 3-8-Aprile 1956. Firenze, Sansoni 1960, 3 parti in 2 tomi, cm.15x24, pp.797 complessive, brossura

Pref.di Gianni Brera. Testimonianze di M.Campagnoli, C.Dominione, L.Veronelli. Milano, G.Mazzotta Ed. 1974, cm.21x23, pp.227, num.ill.e tavv.a col.nt. legatura ed.cop.fig.a colori.

Collections and Historical Reception Proceedings of the International Conference (London, 25-27 May 2016). Edited by Juliana Barone and Susanna Avery-Quash. Firenze, Olschki Ed. 2019, cm 17 x 24, xlvi-456 pp. con 56 tavv. f.t. a colori, brossura Biblioteca Leonardiana. Studi e Documenti,7. The study of the legacy of Leonardo da Vinci in Britain has remained largely overshadowed by that of other Italian Renaissance artists. What was actually known of Leonardo’s work? Were particular aspects of his legacy favoured? This volume investigates how Leonardo’s artistic, theoretical and scientific work has been received in Britain from the seventeenth century onwards. It offers new information concerning the provenance of certain key works and considers their significance for the formation of important British private and public collections. It also addresses the crucial issue of what was considered to be an original work by Leonardo, encompassing related discussions on the roles of versions and copies. In addition, it investigates the shaping of early academic discourse and the appearance of the first English editions of the ‘Treatise on Painting’, as well as considering the publication of English anthologies of his writings and methodological approaches to Leonardo studies. At the same that this volume focuses on the historical reception of Leonardo and his followers’ works in Britain, it makes a wider contribution to studies concerning cultural and intellectual exchanges between Italy and Britain.

Litografia. 1979, su foglio di cm.50x70, Edizione in 120 esemplari. Nostro esemplare 15/120. Firmato a matita dall'autore.

Frascati, Editrice Tusculum 1988, cm.13x20, pp.62, brossura con copertina figurata a colori. Collana Commediografi d'Oggi,3.