L'eccidio di Belgrado 1903.

Verona, Mondadori Ed. 1937, cm.12x19, pp.372, 23 tavv.bn.ft. brossura Coll.I Libri Verdi. Drammi e Segreti della Storia,37.

Milano, A.Mondadori 1933, cm.14x22, pp.338,, illustrato. brossura Coll.Drammi e Segreti della Storia,2. I Libri Verdi.

Roma, Edizioni di Storia e Letteratura 1961, cm.17,5x25, pp.176, 2 tavv.in bn.ft., brossura intonso. Stato di nuovo. Coll.Politica e Storia, Raccolta di Studi e Testi,7.

Biblioteca Medicea Laurenziana. Firenze, 1980, cm.16,5x24, pp.78, 8 tavv.bn.nt. brossura cop.fig.a colori,

Nuova traduz.di Diego Angeli. Milano, Fratelli Treves Editori 1921, cm.14x19,5, pp.VI,(2),211,(1), brossura, cop.ornata. (etichetta coeva di libreria applic.alla base della cop.; firma coeva di appartenenza all'occhietto.) Coll.Teatro di Guglielmo Shakespeare,XV. Prima edizione. Secondo migliaio.

Faber Music, 2004, Book+CD cm.22,5x30,5, pp.32, brossura Following on from the very successful After Hours piano volumes, Pam Wedgwood has now penned eight atmospheric pieces for the intermediate clarinetist. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About series. The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live' instrument for those players who choose to play along with this version of the backing