The Hulton Getty Picture Collection. 1940s. Decades of the 20th Century.

Koln, Konemann 1998, cm.14,5x16,5, pp.394, centinaia di figg.bn. brossura cop.fig. Testo in Inglese, Tedesco, Francese. Text in English,German and French The Jazz Age. Silent films and strident music. Outrageous fashions and inventions. Revolutions in transport, economic chaos and the first chill winds of Fascism and the Depression - in hundreds of moving and shattering images. Das Zeitalter des Jazz. Stummfilme und schrille Musik. Extravagante Mode und geniale Erfindungen. Die Revolution des Transportwesens, Wirtschaftschaos und die ersten Vorboten des Faschismus und der Grossen Depression - in Hunderten von bewegenden und erschütternden Aufnahmen. L'âge du jazz. Des films muets et une musique stridente. Une mode extravagante et des inventions farfelues. La révolution des transports, le chaos économique et les premiers signes inquiétants du fascisme et de la crise économique - des centaines de photographies émouvantes et bouleversantes.

Landscapes and details in Utah and Arizona. Text in italian and english. Pisa, Edizioni ETS 2004, cm.23x32, pp.128, ill a colori. brossura copertina figurata a colori. Il sud-ovest degli Stati Uniti ha da sempre attirato i fotografi di tutto il mondo. Carlo Delli, fotografo di Natura a tutto campo, non si è sottratto a questo richiamo e ha compiuto una personale ricerca nei luoghi magici e indescrivibili intorno al confine tra Utah e Arizona. Ma, come è accaduto nella sua Toscana, oltre che dai grandiosi paesaggi è rimasto affascinato dai particolari. È nato così questo libro con un percorso inedito e molte fotografie assolutamente originali, dove a paesaggi spettacolari si alternano immagini insolite e sorprendenti. Un modo per intuire come la fotografia possa far dialogare l’opera dell’artista umano con quella dell’artista Divino.

Hatje Cantz Publishers 2006, cm.22,5x24,5, pp.232 ill. hardcover, dustjacket. The photographer Ernst Schwitters, the son of Kurt Schwitters, lived in Norway from 1937 to 1940 and from 1945 until his death. Having acquired basic skills in photography on his own as a child, he documented many of his father's works. A visit by May Ray in 1929 opened Schwitters' eyes to avant-garde experimentation. He developed the technique of the "classical photogram" and was soon showing his abstract works with success at international exhibitions. In the late forties and fifties - following his return from exile in England - he was regarded as one of Norway's leading photographers. This book offers the first broad overview of the photographic art of Ernst Schwitters. In addition to photograms from the early thirties, the selection focuses on architectural and industrial photographs as well as images of Norwegian landscapes from the collection of the Kurt und Ernst Schwitters Stiftung in Hanover.