Mitridate il nemico mortale di Roma.

Milano, Il Giornale su licenza Newton Compton 2004, cm.14,5x22.5. pp.246, legatura editoriale con sopraccoperta figurata a colori. Collana Biblioteca Storica,18. In questa biografia Giuseppe Antonelli ci racconta Pompeo: il grande generale che aveva come modello Alessandro Magno e che fu uno dei personaggi chiave nelle vicende finali della repubblica romana. Dalla nascita nel Piceno alla morte per decapitazione in Egitto, ne vengono rievocate tutte le vicende, private e pubbliche. La sua esperienza di appassionato monogamo rivive attraverso la storia dei suoi legami matrimoniali; mil suo talento di stratega e amministratore attraverso la rievocazione delle campagne militari sui partecipò fino a quella, per lui fatale, di Farsalo. Infine, il suo ruolo di riformatore del costume e delle istituzioni emerge dall'analisi dei suoi rapporti, talvolta conflittuali, con alcuni grandi personaggi romani suoi contemporanei.

Milano, Il Giornale su licenza Newton Compton 1999, cm.14,5x22.5. pp.175, legatura editoriale con sopraccoperta figurata a colori. Collana Biblioteca Storica,14. Grande generale, fiero tribuno della plebe, irriducibile nemico di Silla che salvò l'Italia dall'invasione germanica.

1925, cm.17x24,5, pp.12, ill.bn.nt.(articolo). fascicolo, Rivista Mensile del T.C.I. Le Vie d'Italia.

Catalogo della mostra tenutasi a Prato presso il Centro per l'Arte Contemporanea Luigi Pecci. Il primo volume è il catalogo delle opere pittoriche esposte mentre il secondo è il famoso Atlas nell'edizione München/Köln Lenbachhaus/Oktagon Verlag. 1997, 2 Volumi cm.28x35, pp. 197 e 387 in cofanetto rigido illustrato legature editoriali in tutta tela. Testi in Italiano e Inglese. First edition. The original publication Richter’s Atlas accompanied the first exhibition of what has become perhaps his single most significant artwork, the evolving, ever-expanding compendium of imagery that Richter began to amass in 1964 by collecting photos printed in newspapers, magazines and commonplace sources. Richter’s process gained momentum as he added new categories of material, including his own photos and drawings, as well as postcards, anonymous snapshots, landscape images, historical likenesses, pornography, architectural renderings, technical drawings and much else, all in an effort to encompass the vast array of visual data that has become increasingly ubiquitous. These images, affixed to a few hundred panels and arranged on the wall in grids, comprised the first exhibition of Atlas and this artist’s book--which consists of page after page of visual information without any text, even page numbers, to guide the viewer--was its first published form. Atlas has been exhibited on numerous occasions throughout the world and new publications have also followed, but even as the number of panels and images has expanded tenfold, both the form of the installation and of the book has remained essentially that which was set forth her by Richter in 1972. Richter has stated on several occasions that Atlas is governed by no overriding logic or polemical position. It is not an image bank, an archive, or a system of typologies. It is, as the name implies, a cartographic effort. Yet it is a mapping project that remains necessarily unfinished. For Richter, this incompleteness is key; as he sees it, the central dilemma confronting the contemporary artist is the Sisyphean inevitability with which any aesthetic vision will ultimately fail to transform a world that is increasingly defined by the massive proliferation of visual imagery. Thus Atlas is both the visual and the existential context that frames Richter’s artistic output and, as such, it is one of the truly crucial documents of contemporary art.

Litografia a colori. 1974, su foglio di cm.44,5x65, Edizione in XXV esemplari numerati. Nostro IV/XXV. Firmato a matita dall'autore.

The impact of the physical environment. San Francisco, Academic Press 2003, cm.18,5x24,5, pp.XII,438, legatura editoriale cartonata, copertina figurata a colori. Driving evolution forward, the Earth's physical environment has challenged the very survival of organisms and ecosystems throughout the ages. With a fresh new perspective, Evolution on Planet Earth shows how these physical realities and hurdles shaped the primary phases of life on the planet. The book's thorough coverage also includes chapters on more proximate factors and paleoenvironmental events that influenced the diversity of life. A team of notable ecologists, evolutionary biologists, and paleontologists join forces to describe drifting continents, extinction events, and climate change -- important topics that continue to shape Earth's inhabitants to this very day. In a world where global change has become an international issue, this book provides a several billion-year evolutionary perspective on what the environment and environmental change means to life.