Musée de l'Ermitage. La peinture francaise de Poussin a nos jours.

Paris, Editions des Musées Nationaux 1958, 4 voll. cm.21x28, pp.36,44,33,135, 776 tavv.bn.a p.pag.ft. legature editoriali in tutta tela,ill.appl.alle copp. Ediz.francese.

Paris, Edit.P.Tisné 1959, cm.22x26, pp.158, centinaia di figg di figg.bn.e tavv.a col. legatura ed.soprac.fig.a col. Mende alla soprac.

Trad.di L.Volpatti. Verona, Mondadori 1970, cm.16x21,5, pp.380,14 tavv.bn.ft. legatura ed.soprac.fig. Collana Le Scie.

Torino, Einaudi Ed. 1958, cm.14,5x22, pp.90, brossura

Museo e Real Bosco di Capodimonte. A cura di Ursula Benvenuti. e Eike Schimdt. Firenze, Forma Edizioni 2025, cm.24,5x30,5, pp.104, illustrato a colori. legatura editoriale cartonata, con copertina figurata a colori. On the centenary of the birth of Sergio Vacchi (1925–2016), the Museo e Real Bosco di Capodimonte celebrates one of the most heretical and visionary protagonists of twentieth-century Italian painting. A solitary and unconventional artist, Vacchi remained on the margins of dominant movements, faithful to a poetics rooted in new emotional dimensions, achieved through an ever-deeper exploration of his own psyche. From early still lifes to the informal gesturalism of the 1950s, through the return to fi guration in the 1960s and its metaphysical tensions, his painting narrates a constant dialectic between eros and matter, history and myth, reason and vision.