Decameron. Con 10 novelle illustrate da Renato Guttuso. Il volume contiene 11 riproduzioni di originali protette da velina, appositamente eseguiti per questa edizione dal Maestro Renato Guttuso, sono state tirate complessivamente 1999 copie numerate ad personam con targa in argento e firmate dal Maestro. Nostro esemplare 693.

Ediz.critica per cura di Antonio Enzo Quaglio. Firenze, Accademia della Crusca -Sansoni 1963, cm.16x24, pp.CCCV-212, 1 tav.bn.ft. brossura Autori Classici e Docum.di Lingua pubbl.dall'Accad.della Crusca.

Nuova ediz.a cura di Charles S.Singleton. Bari, Gius.Laterza & figli 1955, 2 voll. cm.13,5x22, pp.420, 470, brossure. Coll.Scrittori d'Italia, 97,98. Intonso.

A cura di Mario Marti. Milano, Rizzoli 1972, cm.13x19,5, pp.802, legatura in tutta pelle,scritte e fregi in oro al dorso. Coll.I Classici.

Illustrato da Livio Apolloni. Roma, Tumminelli Ed. 1964, 2 voll. cm.17,5x24,5, p.696,[32], ritratto del Boccaccio in antiporta, 31 tavv.a col.ft. legature editoriali, sopraccoperte figg.

Contenente:Atti del X Convegno Nazionale:Storia e fondamenti della chimica. Arezzo 22-25 Ottobre 2003. A cura di Marco Ciardi e Franco Giudice. Roma, Accademia Nazionale delle scienze detta dei XL 2003, cm.17x24, pp.513, brossura ISSN 0392 4130

Readers Digest 2002, cm.20x25, pp.256, hardocver, dustjacket. Presenting a host of real-life historical anecdotes, this richly illustrated study examines the rituals, myths, and superstitions behind the use of magic throughout history, discussing such topics as the natural magic of herbal remedies, lucky numbers, magical rituals and practices, and more.

A compilation of three sketchbooks kept by American artist Stuart Davis (1892-1964), combined under one cover and reproduced in original size and format. 1500 copies were printed on Grifo paper in 300 line duotones by Stamperia Valdonega, Verona. New York, Stamperia Valdonega in Verona, Italy, 1986, cm.20x26, pp.circa 100, Hardcover. Three-quarters marbled paper boards with black cloth spine, gilt letters on spine, paper insert on front cover, cardboard slipcas with matching paper insert, unpaginated, each leaf is a drawing. This book is a compilation of three sketchbooks drawn by Whitney Collection artist, Stuart Davis during his extended stays in Gloucester, Massachusetts. These specific sketchbooks were created during 1932 and 1933, however, Davis made numerous visits to Gloucester from 1915 through the 1930s. Therefore, these drawings are a part of a larger body of work from those years and became the basis for various gouaches and oil paintings.