Prozessionen von der minoischen bis zur klassischen Zeit in Griechenland.

Stuttgart, Franz Steiner Verlag 2012, cm.17x24, pp.278, brossura. Potsdamer Altertumswissenschaftliche Beitrage, 40. Das römische Makedonien wurde in der althistorischen Forschung allzu oft nur als Randgebiet der römischen Welt wahrgenommen und ist hier vor allem durch punktuelle, wenngleich epochemachende Ereignisse im Bewusstsein, wie etwa durch die Schlacht bei Philippi 42 v. Chr. oder durch die Predigtreisen des Paulus etwa einhundert Jahre später. Um so mehr lohnt ein Blick auf Makedonien als eine lebendige römische Provinz, die ein pulsierendes Leben mit bedeutenden urbanen Zentren und einem Miteinander verschiedener ethnischer Gruppen (Griechen, Römer, Thraker) vorweisen kann. Diese Gruppen bringen in das Alltagsleben der Städte teils sehr ausgeprägte religiöse Traditionen ein. Bislang wurden - von Einzelstudien abgesehen - diese religiösen Erscheinungen nie systematisch erfasst. Anhand ausgewählter Beispiele von strukturell unterschiedlichen Gebieten - Dion als urspruengliches makedonisches "Bundesheiligtum" und Reichsarchiv, Philippi als römische Veteranenkolonie und Samothrake als Heiligtum der Grossen Götter - beleuchtet Charalampos Tsochos auf der Basis des archäologischen Materials sowie epigraphischer und literarischer Quellen verschiedene Erscheinungsformen der Religion in Makedonien bis zur Teilung des römischen Reichs.

Torino, Edizioni Fides 1953, cm.14x21, pp.55, brossura.

New York, Gagosian- Rizzoli 2025, cm.16x21, pp.360 illustrato bn. brossura con copertina figurata. Giuseppe Penone, Alain Elkann: 474 Answers delves into the life and career of the acclaimed Italian artist, Giuseppe Penone. First published in Italian in 2022, as Giuseppe Penone, Alain Elkann: 474 Risposte, this book brings together conversations between the renowned Italian novelist and journalist, Alain Elkann, and the Italian artist, Giuseppe Penone, which took place in the latter’s studio in Turin, Italy, between August and October 2020. Penone discusses his childhood in north-west Italy, his family, and his lifelong love of nature. He describes his early career as the youngest of the artists associated with Arte Povera, his formative experiences in the art world, and key figures he has met and collaborated with along the way. He discusses some of the most significant projects which have taken him to galleries and museums all over the world.

Traduzione di Laura Grimaldi. Milano, Mondadori 2000, cm.15x22, pp.553, legatura editoriale cartonata con sopraccoperta figurata a colori. Collana Scrittori Italiani e Stranieri Due famiglie, i Jones e gli Iqbal, le cui vite sconclusionate racchiudono gli ottimismi e le contraddizioni del secolo appena concluso. Archie Jones è un tipico proletario inglese, mentre il suo migliore amico è il bengalese e mussulmano Samad Iqbal. Si sono conosciuti su un carrarmato alla fine della Seconda guerra mondiale, diretti a Istanbul e ignari del fatto che la guerra era già finita. Riunitasi a Londra trent'anni dopo, questa coppia improbabile si ritrova coinvolta nel ciclone politico, razziale e sessuale di quei tempi.

Stuttgart, Verlag B.G. Teubner 1997, cm.18x24, pp.258, legatura editoriale in tutta tela. Collana Beiträge zur Altertumskunde,105. Testo in inglese. Stuttgart und Leipzig, B.G. Teubner 1997, cm.16x24, pp.VII,258, legatura editoriale cartonata in tutta tela. Beitrage zur Alterumskunde. Herausgegeben von Michael Erler, Ernst Heitsch, Ludwig Koenen, Reinhold Merkelbach, Clemens Zintzen. This Commentary on the Life of Pelopidas originates with my doctoral dissertation of which it is a completely revised and expanded version. My aim has been to present and assess the information available on this Life and, where possible, to resolve its outstanding problems. In some cases, however, where I feel that the evidence does not allow for certainty, I follow Wittgenstein's precept "Wovon man nicht sprechen kann, daruber muss man schweigen". I wish to thank John Buckler of the University of Illinois for his many insightful suggestions and corrections which he provided with unfailing generosity; David Larmour of Texas Tech University, who offered numerous helpful comments and stylistic advice; Gerald Browne and David Sansone of the University of Illinois for their valuable advice, especially with regard to philological matters. I am also grateful to Ludwig Koenen, Christoph Konrad and an anonymous reader, all of whom made many essential corrections and saved me from several infelicities. It is also a pleasure to acknowledge my debt to Angeliki Tzanetou, who always gave most generously of her time and intellect, and to Carol Buckler, who has been a source of thoughtful and provoking conversation over the years. Work on the manuscript was greatly facilitated by the technical assistance of Devin Casenhiser, Mary Ellen Fryer and Walter Spencer.