La chute d'un ange. Episode. Edition originale.

Lousanne, Imprimerie Suisse, 1850, 5 voll. cm.12x17,5, pp.442,447,445,452,491, rilegg.in mz.pelle.

Introduz.e traduz.di Giovanni Fassio. Torino, UTET 1959, cm.14x18, pp.277, legatura ed.in tutta tela. Coll.I Grandi Scrittori Stranieri.

Testo in francese. 1a edizione. Paris, Furne, Pagnerre, V. Lecou Libraires Editeurs 1851-1854, completa in 8 volumi, cm.14,5,x23, pp.2796 complessive, rilegg.in mz.pelle, fregi in oro ai dorsi.

Bruxelles, Meline, Cans et Compagnie 1852, cm.23x29, pp.936, legatura in mz.pelle.

Translated by Cecil Jane, revised and annotatd by L.A. Vigneras, with an appendix by R.A. Skelton. London, Anthony Blond & The Orion Press 1960, cm.17x24, pp.XXXIII,226, 90 figg. from prints and maps of the period, legatura ed.soprac.fig.a col.

Translated by Barbara Bray. London, Scolar Press 1979, cm.16x24, pp.XVIII,383,(3), legatura ed.in t.tela verde, titoli in oro al dorso, sopraccop.fig.a col. (interni un po' ingialliti, altrimenti copia in perfetto stato.)

Traduit de l'italien par Claude Darmouni. Paris, Payot 1977, cm.14x23, pp.411,(5), brossura, cop.fig.a col. (copia ingiallita ma in ottimo stato.) Coll. Bibliothèque Historique.

London, Yale University Press 2001, cm.25,5x33, pp.278 illustrato a colori., legatura editoriale cartonata, sopraccoperta figurata a colori. Allen Staley’s book The Pre-Raphaelite Landscape igniteda revival of interest in Pre-Raphaelite painting nearly three decades ago. Reintroducing the small group of young English artists who in 1848 founded the Pre-Raphaelite Brotherhood, this landmark book helped to attract both scholars and a new generation of admirers to the brilliant and audacious work of the Pre-Raphaelites. In this completely revised and updated second edition, Staley takes into account important artworks that have recently come to light as well as current understandings of the Pre-Raphaelite movement and its legacy. This lovely volume is greatly enhanced by more than 150 luminous color illustrations. Ranging widely in this volume, Staley offers a comprehensive account of the formation of the Brotherhood, the artists’ theoretical concerns about depictions of the natural world, and the emergence and impact of a school of Pre-Raphaelite landscape painting. Staley also discusses all the figures important to Pre-Raphaelitism: the artists (among them John Everett Millais and William Holman Hunt), their associates (Ford Madox Brown, William Dyce), the landscape specialists they influenced (Thomas Seddon, George Price Boyce), and their most articulate supporter, John Ruskin.