Aztlán, terre des Aztèques: images d'un nouveau monde.

Grand Palais, 11 Octobre 1979 -7 Janvier 1980. Paris, Editions de la Réunion des Musées Nationaux 1979, cm.23,8x21, pp.326, 678 ill.bn.e col. brossura cop.fig.a col.

Pfäffikon SZ, Stedamm-Kulturzentrum, 18 juin - 27 août 1978. Commissaire de l'Exposition. Mauro Natale, Genève. Milano - Zürich, Electa Editrice - Fondation Suisse Pro Venezia 1978, cm.23x25, pp.249,(3), numerose ill.in bn.nt. e 11 tavv. a col.ft., legatura ed.in tutta tela, titoli al piatto ant. e al dorso, sopraccop.fig.a colori. Testo in francese.

Paris, Orangerie des Tuileries, 25 octobre 1976 - 28 février 1977. Paris, Editions des Musées Nationaux 1976, cm.21,5x24, pp.LVII,(1),242,(4), 255 ill. in bn. nt. e 13 tavv. a col. ft., brossura, cop. fig. a colori.

Munich-Residenz, 15 juin - 15 septembre 1958. s.l. (München), Editions Hermann Rinn 1958, cm.15x22, pp.338, 118 tavv.in bn.ft. in append., brossura, cop.fig.a colori. (minimi segni d'uso agli angoli della copertina.)

Records by Columbia Gramophone Co. Pictures by Rhoda Chase. Harper & Brothers Publ. s.d.circa 1920, Edizione completa. cm.14x20, pp.16, 3 vinili inbustati all'interno. legatura ed.cop.fig.a col.dorso rotto.

Traduz.di Tommaso Giglio. Milano, Arnoldo Mondadori Editore 1957, 1960, cm.13,5x20, pp.196, brossura Coll.Il Bosco,9.

London, Royal Academy of Arts, 18 March - 12 June 1988. Catalogue by D.Ekserdijan, edited by. M.Stevens. Milano - London, Electa - Royal Academy of Arts 1988, cm.21,5x28, pp.137,(3), alcune ill. in bn. e 53 tavv. a col.nt., brossura, sopraccop.fig. a colori. [buon esemplare.]

includes DVD. New York, Hal Leonard 2007, cm.21,5x28, pp.260, brossura The Hal Leonard Recording Method. (Music Pro Guides). Once you understand how microphones and mixers work, you'll move into recording vocals and instruments for your audio productions. With detailed illustrations, photographs, plus dozens of video and audio examples, you'll learn everything you need to know about capturing the best vocal and instrument tracks possible, no matter what kind of studio you are working in or what kind of equipment is used.