Aztlán, terre des Aztèques: images d'un nouveau monde.

Grand Palais, 11 Octobre 1979 -7 Janvier 1980. Paris, Editions de la Réunion des Musées Nationaux 1979, cm.23,8x21, pp.326, 678 illustrazioni in bianco e nero e a colori, brossura con copertina figurata a colori. Testo in francese.

Pfäffikon SZ, Stedamm-Kulturzentrum, 18 juin - 27 août 1978. Commissaire de l'Exposition. Mauro Natale, Genève. Milano - Zürich, Electa Editrice - Fondation Suisse Pro Venezia 1978, cm.23x25, pp.249,(3), numerose ill.in bn.nt. e 11 tavv. a col.ft., legatura ed.in tutta tela, titoli al piatto ant. e al dorso, sopraccop.fig.a colori. Testo in francese.

Paris, Orangerie des Tuileries, 25 octobre 1976 - 28 février 1977. Paris, Editions des Musées Nationaux 1976, cm.21,5x24, pp.LVII,(1),242,(4), 255 ill. in bn. nt. e 13 tavv. a col. ft., brossura, cop. fig. a colori.

Munich-Residenz, 15 juin - 15 septembre 1958. s.l. (München), Editions Hermann Rinn 1958, cm.15x22, pp.338, 118 tavv.in bn.ft. in append., brossura, cop.fig.a colori. (minimi segni d'uso agli angoli della copertina.)

Todi, Tipografia Tuderte 1939, cm.15,5x21, pp.206, brossura, cop. un po' ingiallita e qualche fioritura nt. ma ottimo esempl. Prima edizione. Raro.

Milano, Sugar Editore 1972, cm.11,5x21, pp.447, numerose ill.bn.nt. legatura ed.in imitlin, placchetta ill.a col.applicata.

Faber Music, 2004, Book+CD cm.22,5x30,5, pp.24, brossura Pam Wedgwood's After Hours For Alto Saxophone And Piano presents eight atmospheric, original pieces for the intermediate saxophonist with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About Series. The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live' instrument for those players who choose to play along with this version of the backing.

Novara Istituto Geografico De Agostini 1967, cm.14x21,5, 122, 64 fotografie, legatura editoriale cartonata, copertina illustrata a colori. Collana Il Timone.