Italienische Medaillen und Plaketten von der Frührenaissance bis zum Ende des Barock.

Stuttgart, Württembergische Kunstverein, 18. Mai bis 4. August 1991. Mit einer Einführung von Werner Spies. Stuttgart, Verlag Gerd Hatje 1991, cm.22,5x29,7, pp.280, 362 ill. e tavv. quasi tutte a col., brossura, cop.fig. a colori.

Zürich, Kunsthaus Zürich, 21. Oktober bis 16. Dezember 1967. Zürich - Mülheim, Kunsthaus Zürich - Kaufmann 1967, cm.16,5x23,2, pp.103,(5), 225 tavv.a un col.ft. in append., brossura, cop.fig. (dorso ingiallito ma buon esemplare.)

Köln, Museum Ludwig, 15. Januar bis 6. März 1988. Ausstellung und Katalog: Alfred M.Fischer und Dieter Daniels. Köln, Museum Ludwig - Stadt Köln 1988, cm.20,5x27, pp.336, numerose ill.in bn. e alcune a col.nt., brossura con bandelle, cop.fig. Testo in tedesco. Exhibition catalogue published in conjunction with show held January 15 - March 6, 1988. Examines Marcel Duchamp and his effect on the avant garde since 1950, incorporating images of Duchamp's work, reproductions of work by other artists, and essays by theorists and artists alike. Artists include Marcel Duchamp, Giovanni Anselmo, Arakawa, Arman, Robert Barry, Gianfranco Baruchello, Joseph Beuys, George Brecht, Marcel Broodthaers, Daniel Buren, James Lee Byars, John Cage, César Baldacinni, Christo, William N. Copley, Joseph Cornell, Jim Dine, Robert Filiou, Jochen Gerz, Ludwig Gosewitz, Raymond Hains, Richard Hamilton, Anthony Hill, Jasper Johns, Ray Johnson, Joe Jones, Howard Kanovitz, Allan Kaprow, Yves Klein, Shigeko Kubota, Jean-Jacques Lebel, Les Levine, Roy Lichtenstein, George Maciunas, Piero Manzoni, Walter de Maria, Robert Morris, Bruce Nauman, Claes Oldenburg, Nam June Paik, Giulio Paolini, Luca Maria Patella, Giuseppe Penone, Sigmar Polke, Daniel Pommereulle, Robert Rauschenberg, Gerhard Richter, Dieter Roth, Takako Saito, Tomas Schmit, Daniel Spoerri, Takis, André Thomkins, Jean Tinguely, Timm Ulrichs, Ben Vautier, Wolf Vostell, Andy Warhol, Robert Watts, Hannah Wilke, and Emmett Williams. With essays by Serge Stauffer, Robert Lebel, Dieter Daniels, Alain Jouffroy, Gerhard Kolberg, Roberta Bernstein, Henry Martin, Alfred Fischer, Madeline Gins, and Arakawa. Foreward by Siegfried Gohr. Writings also include a collection of essays entitled "Marcel Duchamp from the perspective of 17 artists," as well as chronology, bibliography, and artists' biographies. Majority of text in German.

Wien, Österreichische Galerie im Oberen Belvedere, 22. 12. 1970 - 12. 4. 1971. Wien, im elbstverlag der Österreichischen Galerie 1970, cm.14,7x20,5, pp.142,(2), 33 ill.in tavv.in bn.ft., brossura, cop.fig. [buon esemplare.]

Milano, Longanesi 1948, cm.12x18, pp.330, brossura soprac. Coll.Il Labirinto.

Thames & Hudson 2011, cm.19x25, pp. 84, color and 132 black-and-white illustrations hardcover, dustjacket. With numerous factfiles, reconstructions, scroll photographs, and a wealth of other illustrations, it is the most comprehensive and accessible account available on the Dead Sea Scrolls. Ever since the first scrolls were found in the Judaean desert in 1947, the Dead Sea Scrolls have been the subject of passionate speculation and controversy. The possibility that they might challenge assumptions about ancient Judaism and the origins of Christianity, coupled with the extremely limited access imposed for many years, only fueled debate on their meanings. With all the scrolls now available in translation, conclusions can be drawn as to the authorship and origins, their implications for Christianity and Judaism, and their link with the ancient site of Qumran. This book, written by three noted scholars in the field, draws together all the evidence to present a fully illustrated survey of every major manuscript.