Le Fraisi-Paradis de Charlotte aux Fraises.

Traduz. di O.Rosenthal. Venezia, La Nuova Italia 1928, cm.14x22, pp.241, brossura intonso. Coll.Storici Antici e Moderni.

Fotografie di Jane Burton. Oceano 2010, cm.29x34, pp.240 , num.figg.a col.nt. legatura ed.cop.fig.a col. Idioma Catalano. The diminutive size, vulnerability, and light-hearted playfulness of puppies evoke the same sort of loving and protective response as we have for human children. This lavish, volume zooms in on the behavior, poses, and facial expressions of our cuddliest canine friends. Juvenile dog lovers of every age will love its expert studio portraiture, featuring adorable cuties from dozens of breeds nuzzling their mothers, romping with siblings, blithely exploring their surroundings, and yipping with curiosity and delight.

Goppingen, Ku¨mmerle Verlag 1986, cm.15x21, pp.163, brossura, Collana Go¨ppinger Arbeiten zur Germanistik,448. Testo in inglese. With one exception the papers included are from the Sixteenth Congress on Medieval Studies at Western Michigan University in Kalamazoo and at the 1981 meeting of the Midwest Modern Language Association. Includes bibliographies.

Thames & Hudson 1989, cm.15x21, pp.256, 231 illus., 50 in color. Paperback. Coll. World of Art. Surrealism was a revolution. Unlike other modern movements such as cubism and geometrical abstraction, it was not based purely on artistic innovation; its aim was nothing less than the liberation, in art and in life, of the resources of the subconscious mind. Sarane Alexandrian traces the development of surrealism from its origins in the Dada anti-art revolt of 1916-1920 to the death of its guiding spirit, Andre Breton, in 1966, which marked the end of its existence as a formal entity. The author discusses and illustrates an astonishing variety of surrealist artists, including not only such giants of the movement as Dali, Miro, Duchamp, Tanguy and Magritte, but a host of other remarkable talents.