Pavese. Libri sacri, misteri, riscritture.

Firenze, Olschki Ed. 1997, cm.17x24, pp.LVIII,266, brossura Coll. Strumenti di lessicografia letteraria italiana, 16. L’opera si offre come uno strumento indispensabile per lo studio della poesia pavesiana e per la ricostruzione dei rapporti tra prosa e poesia in un autore del nostro Novecento ormai divenuto un classico. Nel contempo, l’introduzione procede ad un’analisi This work proves an indispensable instrument for the study of Pavese’s poems and for the reconstruction of relationships between prose and poetry in an author of our 20th century who has already become a classic. At the same time, the introduction proceed

Firenze, Olschki Ed. 2005, cm.17x24, pp.492, brossura Coll. Polinnia, 12. Una monografia complessiva sull’opera di Pirandello, di taglio saggistico e di impostazione ermeneutica, posta al confine fra letteratura, filosofia e teologia, in una diacronia intimamente tesa al racconto, alla scrittura rigorosa ma costantemente attent A monograph on the oeuvre of Pirandello taken as a whole, using a hermeneutic approach on the borderline of literature, philosophy and theology. The format is diachronic, the prose, though observing scholarly rigor, is accessible to the interested lay rea

Traduz.di R.Rambelli Pollini. Milano, Mondadori Ed. 1980, cm.14,5x22,5, pp.478, legatura ed. sopraccop.fig.a col. Coll.Omnibus.

Court Culture and Classicism. Preface by Lina Bolzoni. Firenze, Olschki Ed. 2021, cm 17 x 24, viii-246 pp., brossura Biblioteca dell''«Archivum Romanicum». Serie I: Storia, Letteratura, Paleografia,508. Testo in inglese. Throughout his life and in parallel with his better-known works, Ludovico Ariosto composed a number of love poems in Italian. These, however, he never authorised to be printed; instead, he jealously kept them private, and tried, but eventually failed, to organise them into a lyric collection. This multifaceted and diversified production bespeaks both Ariosto’s engagement with the more contemporary strands of lyric poetry and his effort, prompted by the debates of court Humanism, to revivify the classics. This book offers the first updated comprehensive reading of Ariosto’s lyric poetry, touching on matters of self-fashioning, on his ideology and ethics of love, and on his verse portrayals of women. By adopting a predominantly intertextual perspective and availing itself of the most recent philological breakthroughs in the field, it aims to contextualise this output against its historical and intellectual background, while at the same time exploring its links with Ariosto’s other works, in order to understand the role played by the lyric genre in the system of his oeuvre.