La Chanson de Roland.

Firenze, Olschki Ed. 1928, cm.18x25,5, 2 cc., 196 pp. e 1 c., brossura Collana Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia, 10.

(Con un'appendice di «Giunte al Vocabolario Modenese»). Firenze, Olschki Ed. 1921, cm.18x25,5, 2 cc. e 88 pp., Collana Biblioteca dell'«Archivum Romanicum» - Serie II: Linguistica, 11.

Milano, Casa Ed.Francesco Vallardi 1954,1939, cm.17x25, pp.XI,309, legatura ed.in tutta tela, Collana Storia Letteraria d'Italia Scritta da una Società di Professori.

Roma, Formiggini A.F. 1913, cm.10,5x16,5, pp.61, brossura Collana Profili,27.

Traduz.di Enrico Dal Fiume. Milano, Dall'Oglio Ed. 1957, cm.16x22, pp.370, 11 tavv.bn.ft. 1 cartina ripieg.nt. legatura ed.in tutta tela, cop.fig. Collana Storica.

Routledge 1995, cm.14x23, pp.224, brossura con copertina figurata a colori. Edizione Inglese The histories of Roman senator Cornelius Tacitus constitute the most influential examination of tyranny, political behavior and public morality from the classical age. For centuries these portraits of courageous martyrs to freedom, of paranoid tyrants, and of sycophantic flatteres and informers shaped modern political attitudes. Ronald Mellor provides a compelling analysis of the ideas of the greatest historian of evil in the western intellectual tradition. In Tacitus, Ronald Mellor passionately argues for reclaiming this ironic genius whose cynical world view is particularly well-suited to an analysis of the tyranny and brutality in our own century. Tacitus is presented as a moralist, psychologist, political analyst and literary artist. Tacitus' greatest impact has never been on historians. Rather, his political vision and dramatic images left their mark on painters, poets and thinkers.