E tu, cosa scegli? Commedia in due atti.

Firenze, Sansoni Ed. 1975, 3 volumi. cm.15x23,5, pp.VI,296, 368, IX,250, brossure copertine figurate.

Milano, Mursia 1966, cm.14,5x22, pp.265, 56 fotografie bianco e nero fuori testo, legatura editoriale con sopracoperta figurata. Collana Testimonianze,11. Terza edizione.

Firenze, Franco Cesati Editore 1985, cm.14,5x21 pp.164, brossura, copertina figurata.

Milano, Mursia 1973, cm.14,5x22, pp.265, 56 fotografie bn.ft. legatura ed.soprac.fig. Coll.Testimonianze.

Edited with the assistance of Carol R. Briggs. Los Angeles, The William Andrews Clark Memorial Library, University of California 1985, cm. pp.186,(2), una pianta ripieg. all'antiporta, legatura ed. in mezza tela grezza, etichetta cartacea con titolo applicata al dorso, piatti in cartone grigio decorato. Ediz. di 350 esemplari.

Milano, Rizzoli Ed. per Corriere della Sera 2004, cm.15x22, pp.524, legatura editoriale.

Collections and Historical Reception Proceedings of the International Conference (London, 25-27 May 2016). Edited by Juliana Barone and Susanna Avery-Quash. Firenze, Olschki Ed. 2019, cm 17 x 24, xlvi-456 pp. con 56 tavv. f.t. a colori, brossura Biblioteca Leonardiana. Studi e Documenti,7. The study of the legacy of Leonardo da Vinci in Britain has remained largely overshadowed by that of other Italian Renaissance artists. What was actually known of Leonardo’s work? Were particular aspects of his legacy favoured? This volume investigates how Leonardo’s artistic, theoretical and scientific work has been received in Britain from the seventeenth century onwards. It offers new information concerning the provenance of certain key works and considers their significance for the formation of important British private and public collections. It also addresses the crucial issue of what was considered to be an original work by Leonardo, encompassing related discussions on the roles of versions and copies. In addition, it investigates the shaping of early academic discourse and the appearance of the first English editions of the ‘Treatise on Painting’, as well as considering the publication of English anthologies of his writings and methodological approaches to Leonardo studies. At the same that this volume focuses on the historical reception of Leonardo and his followers’ works in Britain, it makes a wider contribution to studies concerning cultural and intellectual exchanges between Italy and Britain.

Photographs by Hugh Palmer. Thames and Hudson 1999 cm.25x32, pp.224 , 288 ill. col. legatura editoriale cartonata, sopracoperta figurata a colori. The elegance of Tuscany's cities is visible in the smaller villages focused upon in this book. It looks at 37 villages and small towns, including Pienza, Settignano and San Gimignano. The descriptions are accompanied by photographs which capture the charms of the architecture, the landscape and the people. The book includes a visitor's guide to restaurants, hotels and places of interest to be found in this region of Italy.