Prediche inutili. Dispense III, IV. III: Sulla educazione dei giovani; Contro il monopolio e non contro la scuola di Stato; Delle diverse specie di creditori e di debitori; Di un problema che non è particolare all'Alto Adige; In lode del profitto.Dispensa IV: Gian Giacomo Rousseau, le teorie della volontà generale e del partito guida e il compito degli universitari; Discorso elementare sulle somiglianze e sulle dissomiglianze tra liberalismo e socialismo; Di alcuni scatoloni vuoti correnti nell'economia agraria italiana; Postilla al discorso ai Georgofili.

Torino, Giulio Einaudi Ed. 1956, cm.15,5x22,5, pp.XVI,677, legatura editoriale in tela tela, sopraccoperta figurata. Coll.Opere di L.E. Prima edizione.

Torino, Einaudi 1964, cm.14x22, pp.ca 800 ciascun vol. legature editoriali in tutta tela,soprac.velina. custodia. Coll.Opere di Luigi Einaudi.

A cura di Luigi Firpo. Torino, Fondaz.Einaudi-Banca D'Italia 1971, cm.17x25, pp.909, alcune tavv.bn.ft., 1 tav.a col.in antip. legatura ed.in tutta tela.

Roma, Ediz.di Storia e Letteratura 1953, cm.18x25, pp.XIV,367, brossura intonso. Coll.Storia ed Economia. Studi, Testi, Documenti,1.

Leipzig, Insel-Verlag s.d. (ca.1940), cm.12x18,5, pp.63,(1), legatura ed.cartonata, piatti e dorso in carta decorata a 2 col., etichetta con titoli applic. al piatto ant. e al dorso. (copia ingiallita in ottimo stato.) Sammlung Insel-Bücherei,167. 21. - 30. Tausend.

Traducteur: Florence Bouzinac. Octopus-Hachette 2004, cm.23,5x28,5, pp.144, ill.col. relié avec jaquette. Toutes les techniques de la photo numérique est un guide complet et pratique qui aidera le photographe moderne à obtenir des résultats de qualité professionnelle. La technologie et le vocabulaire spécialisé sont expliqués en détail avec des exemples pratiques et toutes les astuces indispensables au traitement pointu de l'image et à une utilisation experte des logiciels, des scanners et des techniques d'édition. Les photos qui illustrent le texte sont des images numériques originales réalisées par un photographe professionnel reconnu.

London, Merrell Publishers Limited 2004, cm.24,8x28,5, pp. 160 illustrazioni bn. nel testo, legatura editoriale cartonata con sopraccoperta figurata a colori. Testo Inglese. First collection of photographs by Edward Weston and Tina Modotti, taken on their travels to Mexico in 1923. Accompanies a major new exhibition at Barbican Art Galleries.

Berlin Benedikt Taschen 2000, cm.23x30, pp.252, illustrato bn. legatura editoriale cartonata sopraccoperta figurata. Text in german, english and french. Man Ray (1890-1976) remains a legendary figure in the history of 20th century visual art, Born Emmanuel Rudnitsky (which he abbreviated as his career took off) in Philadelphia, Ray was one of the first modern graphic artists. Bursting with ideas, he restlessly moved between media, constantly experimenting with the technological and scientific processes of constructing the image. In Ray's compositions bodies and objects are made strange and unfamiliar -- erotic, playful and sometimes sinister. Ray was a charismatic figure with a knack for creating and energising artistic movements, influencing and befriending many leading lights of the European Avant-Garde, from Dadaists to Surrealists and including Duchamp, Picasso, Satie, Cocteau and Breton. Ray's vast photographic oeuvre is often considered to be his most important and ground-breaking body of work. As well as consistently creating unusual and beautiful images, he also developed a number of new photographic techniques, most Famously photograms (or ""Rayographs,"" as he preferred to call them), and the solarization process which, as he himself claimed, he ""discovered"" by accident with his muse, assistant and model Lee Miller. This volume brings together the finest photographs from collections and archives around the world, representing the singular vision of Man Ray at his most dynamic and beautiful.