Selected paintings at The Norton Simon Museum.

Collections of the City Art Gallery. Roma, De Luca 1982, cm.21x24, pp.80, 99 ill.bn.e col.nt. brossura cop.fig.a col. Testo in inglese.

Tate Gallery for the Yale Center for British Art. London, Tate Gallery 1981, cm.22,5x29, pp.XXII-258, 25 tavv.a col.nt.e 111 tavv.bn.ft. legatura ed.scritte e fregi oro al piatto e al dorso,soprac.fig.a col. Coll.Sport in Art and Books the Paul Mellon Collection.

Vol.I: edited by F.G.Kenyon (London, 1893). Vol.II: edited by F.G.Kenyon (London, 1898). Vol.III: edited by F.G.Kenyon, H.I.Bell. (London, 1907). Vol.IV: The Aphrodito Papyri. Edited by H.I.Bell with an Appendix of Coptic Papyri by W.E.Crum (London, 1910). Vol.V: edited by H.I.Bell . (London, 1917). Ristampa anastatica autorizzata dal British Museum di Londra. Milano, Cisalpino Goliardica Ed. 1974-1977, 5 volumi completo. cm.24,5x33. 17x24, pp.XX,296,XLII,408,LXXIV,388,XLVIII,648,XVI,376, legature editoriali cartonate, titoli in oro ai piatti anteriori e dorsi. Coll.Papirologia. Vol.I: edited by F.G.Kenyon (London, 1893). Vol.II: edited by F.G.Kenyon (London, 1898). Vol.III: edited by F.G.Kenyon, H.I.Bell. (London, 1907). Vol.IV: The Aphrodito Papyri. Edited by H.I.Bell with an Appendix of Coptic Papyri by W.E.Crum (London, 1910). Vol.V: edited by H.I.Bell (London, 1917).

Pfäffikon SZ, Stedamm-Kulturzentrum, 18 juin - 27 août 1978. Commissaire de l'Exposition. Mauro Natale, Genève. Milano - Zürich, Electa Editrice - Fondation Suisse Pro Venezia 1978, cm.23x25, pp.249,(3), numerose ill.in bn.nt. e 11 tavv. a col.ft., legatura ed.in tutta tela, titoli al piatto ant. e al dorso, sopraccop.fig.a colori. Testo in francese.

Prima edizione dell'opera completa. Napoli, per Francesco Rossi 1851, cm.15x24,5, pp.570 , un ritratto di P. in antip., rilegatura coeva in mz.pelle, piatti marmorizz., titoli e fregi in oro al dorso. Guasto di ca.6 cm. alla cerniera ant. esterna e lievi fioriture agli interni ma esempl. molto buono.

Paris, J. de Gigord, Editeur 1933, cm.16,5x22,5, pp.526, 24 tavv.in seppia ft., brossura intonso. Minime macchiette alla cop.ant. verso il dorso ma ottimo esempl. Coll. Histoire de la Littérature Française publiée sous la direction de J.Calvet,VI.

With a new Preface by the Author. New York, Basic Books 2004, cm.13,5x20,5, pp.LIV,226, alcune ill.in bn.nt., brossura, cop.fig. [copia allo stato di nuovo] Every smile is the product of physical processes common to all humans. But since the dawn of civilization, the upward movement of the muscles of the face has carried a bewildering range of meanings. Supreme enlightenment is reflected in the holy smile of the Buddha, yet the Victorians thought of open-mouthed smiling as obscene, and nineteenth-century English and American slang equated smiling with drinking whisky. In A Brief History of the Smile, Angus Trumble deftly combines art, poetry, history, and biology into an intriguing portrait of the many nuances of the smile. Elegantly illustrating his points with emblematic works of art, from eighteenth- and nineteenth-century European paintings to Japanese woodblock prints, Trumble explores the meanings of smiling in a variety of cultures and contexts. Effortlessly mingling erudition, wit, and personal anecdote, Trumble weaves a seamless interdisciplinary tapestry, bringing his expertise as a writer, historian, and thinker to bear on the art of smiling in this warm and perceptive work.

Traduzione di Alberto Luchiai con xilografie di Pietro Parigi. Copertina di De Carolis. Milano, Bietti 1940 cm.13x21, pp.XXVI,224, num.figg.bn.nt. brossura soprac.fig. Coll.Classici del Ridere. Quinta edizione riveduta.