Ritratto di un uomo in piedi.

Traduz.di Marcella Bianchi di Lavagna. Milano, Ediz.del Borghese 1965, cm.11x20, pp.195, brossura con bandelle, Coll.I Libri del Borghese,41.

A cura di Alessandro Schiavi. Bari, Gius.Laterza & figli 1932, cm.13x20,5, pp.XVI,338,(2), una cartina in bn. all'antiporta e una n.t., brossura [copia in ottimo stato]. Coll.Biblioteca di Cultura Moderna,221.

Tragedia moderna in tre atti , versione di Maner Lualdi. Milano, Lerici Editori 1965, cm.12x22, pp.134, brossura. Prima rappresentanza mondiale, Teatro alla Scala, ente autonomo, Piccola Scala, Milano 7 ottobre 1965. Spettacolo inaugurale del teatro TDN.

Traduzione di Orsola Nemi. Milano, Edizioni del Borghese 1966, cm.12x20, pp.267, legatura editoriale titoli in oro al dorso. Collana I Libri del Borghese,52.

A cura di Andrea Borruso, Mirella Cassarino. Roma, Salerno Ed. 1991, cm.13,5x21, pp.268, 4 tavv.ft. brossura cop.fig.a col. Coll.Omikron,39.

Palermo, Officina di Studi Medievali 2002, cm.17x24, pp.184, brossura, cop.fig.a col.con bandelle. Stato di nuovo. Coll.Machina Philosophorum. Testi e Studi dalle Culture euromediterranee,5.

Genere: Classical - General. Luigi Alberto Bianchi - Violin. Aldo Orvieto - Piano. Dynamic 2011, 1 CD, Playing Time: 68 min. AudioCD, Delizie Musical, Vol.18. Sonata Op.55 in E minor (1867) Novellette Op. 54 (1867) 3 Morceaux Op. 53 (1867) 3 Morceaux Op. 46 (1865)

The Hague, Martinus Nijhoff 1954, cm.13x20,5, pp.VII,158, legatura editoriale cartonata. Original edition. In the following pages an attempt has been made to give the essential facts of the history of the Elsevier family, and to show the relations of the printers to the world around them. Printing and publishing history is sometimes written as personal reminiscence, as aesthetic or technical criticism, or as a guide for book collectors. There is something to be said for treating it as a phase of economic or social history, and this treatment has been attempted here. There are difficulties inherent in the task which are not at first apparent. Printers are in touch on the one hand with the world of manufacturing and commerce, and on the other hand with the world of literature and scholarship - with not merely one phase of literature and learning but with a great many. As a result the innocent enthusiast who attempts to follow the activities of a publisher as he moves in the various milieux will constant­ ly find himself in strange regions he knows nothing about. He will probably wish he had never entered them, and his learned readers will probably wish so, too. So much assistance from friends has been sought and given that the story presented is a mosaic of the learning of others. The writer has reserved for himself only the special province of errors and omissions, and hereby lays claim to all such as may be found.