La Pittura a Venezia nel diciottesimo secolo.

London, Pitkin Pictorials 1964, cm.18x22,9, pp.32, 58 ill. in bn.nt., fasc.con 2 punti metallici, cop.fig.a colori. [ottimo esemplare.]

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to

Con due capitoli introduttivi al trecento di C.Muscetta e F.Tateo. Bari, Laterza Ed. 1971 cm.16,5x23, pp.410, brossura Coll.Letteratura Italiana.

Sous les auspices de l'UNESCO. Assen, Maastricht, Van Gorcum Ed. Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1986, 1 vol.+1 cartella, cartella cm.37x50,vol.cm.15,5, pp.CXIII,230,+ 21 carte ripieg.in cartella, brossura +cartella.

Versione italiana di Antonella Aloigi Hayes. Milano, Ediz. Curci, 1997, cm.24x30,5, pp.31, fascicolo,

Illustrazioni di Federico Maggioni. Torino, Einaudi Ragazzi 1999, cm.11x18,3, pp.46,(10), interamente illustrato a colori, brossura, cop.fig.a colori. [copia come nuova.] Coll.Storie e Rime,110.