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#44327 Arte Pittura

Pittura etrusca-italo-greca e romana.

Author:
Publisher: Istituto Geografico De Agostini.
Date of publ.:
Details: cm.22,5x25, pp.XXXIV, 120 tavv.bn.ft. legatura editoriale in tutta tela, titoli in oro al piatto anteriore e dorso. Collana Storia della Pittura Italiana.

ConditionsUsato, molto buono
EUR 11.00
2 copies
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Terza edizione interamente riveduta. Torino, UTET 1939, cm.19,5x26, pp.XVII,832, 12 tavv.in rotocalco e 949 riproduz. bn.nt. legatura ed.in tutta tela, sopraccop. Collana Storia dell'Arte Classica e Italiana.
Usato, molto buono
EUR 23.00
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#87738 Storia Antica
Milano, Paravia Ed. 1926, 2 volumi, cm.13x20, pp.VIII,176; 202, 26 figure in bianco e nero in 13 tavole fuori testo, brossure, Collana Storia e Pensiero.
Da collezione, accettabile
Note: Volume II slegato. Mende alla copertina del volume I.
EUR 18.00
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Nuova ristampa corretta della terza edizione interamente riveduta. Torino, UTET 1948, cm.19,5x26, pp.XVII,832, 12 tavv.in rotocalco e 949 riprod. d' Legatura editoriale in tuta tela. e al dorso. Collana Storia dell'Arte Classica e Italiana.
Usato, molto buono
EUR 25.00
3 copies
Torino, UTET 1920, cm.21x26, pp.XXIII,965, 861 figg.bn.nt. rilegatura tela.
Usato, buono
EUR 21.00
Last copy

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#296145 Arte Varia
English edition. Milano, Skira 2016, cm.24x30, pp.296 , 55 ill.a colori. legatura editoriale, copertina figurata a colori. This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate “real world” and “real time” embedded processes and places, Oppenheim’s steps into performance from 1969 enacted the artist’s body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim’s procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim’s conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist’s contemporaneous notes and statements.

EAN: 9788857230320
Nuovo
EUR 58.00
-44%
EUR 32.00
2 copies