Fonti archivistiche e ricerca demografica. Vol.II.

Wulf Arlt, Sequence and "Nues Lied". Lance W. Brunner, The Italian Sequence and Stylistic Pluralism: Observations about the music of the Sequences for the Easter Season from Southern Italy. Giulio Cattin, Sequenze nell'area ravennate. Abbozzo di analisi testuale. Milano,7-8 aprile 1984. A cura di Agostino Ziino. Lucca, LIM-Libreria Musicale Italiana 1992, cm.17,5x24,5, pp.171, num.esempi musicali nt. legatura ed.in tutta tela. Collana Quaderni di San Maurizio.

Firenze, 24-25 ottobre 2003. A cura di Mariarosa Cortesi. Firenze, Sismel Edizioni del Galluzzo 2006, cm.17x24, pp.VIII,426, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Millennio Medievale, 62. Atti di Convegni, 19. M. Cortesi, Premessa. P. Petitmengin, Le match Bâle-Paris au XVIe siècle: éditions princeps, éditions revues des Pères latins - M. Marin, L'edizione Moreliana (1564) dello scritto pseudociprianeo Adversus aleatores - B. Clausi - V. Milazzo, Una storia (non) tutta romana: l'editio princeps delle Epistolae di Gerolamo - H. Müller, Zur frühen Druckgeschichte von Augustins Psalmenkommentar (Enarrationes in Psalmos) - J.-L. Quantin, L'orthodoxie, la censure et la gloire. La difficile édition princeps de l'épître de Barnabé, de Rome à Amsterdam (1549-1646) - C. Moreschini, L'edizione inedita degli Ambigua ad Iohannem di Massimo il Confessore ad opera di Francesco Combefis - C. Micaelli, Il De Trinitate di Novaziano da Mesnart a Pamelius: problemi testuali ed esegetici - S. Fiaschi, Un codice del Bessarione alla base della princeps di Atanasio nella versione di Ognibene da Lonigo - L. Bossina, Preistoria di un'editio princeps. Teodoreto dal Concilio di Trento alla Guerra dei Trent'anni - A. Mecca, Per una Clavis editionum principum scriptorum Christianorum: questioni di metodo e problemi - C. Crimi, Editiones principes dell'epistolario di Basilio di Cesarea - R. Palla, Editiones principes delle Lettere di Gregorio Nazianzeno: dal 1528 al 1583 - A. Baldoncini, Le Epistole di Gregorio Nazianzeno: dopo il 1583. Indici

Scritti di: G.Nangeroni, E.A.Arslan, A.Balil, C.Carducci, F.Fedele, P.A.Fevrier, A.Doro, S.Finocchi, A.Grilli, U.Laffi, R.Loose. Milano, Cisalpino-Goliardica 1976, cm.17x24, pp.696, VIII tavv.in bn.e a col.ft., brossura, sovraccop.fig. [stato di nuovo]. Collana Biblioteca Storica Universitaria.

Firenze, Palazzo Strozzi,25-28 settembre1952. Firenze, Sansoni 1953, cm.18x25,5, pp.210, brossura intonso. Istituto Nazionale di Studi sul Rinascimento.

Genova, Tolozzi-Compagnia dei Librai 1989, cm.14,5x21, pp.224, num.tavv.bn.nt. brossura cop.fig.a col. Collana Epigrafi Pontremolesi.

Trad dal tedesco di Aloisio Rendi. Milano, Feltrinelli Ed. 1985, cm.12,5x19,5, pp.176, brossura cop.fig.a col. Collana Impronte.

Concert Movie Filmed On 6th June 2001 At The Fleetcenter, Boston, Massachusetts 2001, 2 DVD 1-1 Elevation 5:06 1-2 Beautiful Day 4:40 1-3 Until The End Of The World 5:18 1-4 Stuck In A Moment You Can't Get Out Of 5:38 1-5 Kite 5:26 1-6 Gone 4:52 1-7 New York 5:53 1-8 I Will Follow 5:11 1-9 Sunday Bloody Sunday 8:04 1-10 In A Little While 6:38 1-11 Desire 2:38 1-12 Stay (Faraway, So Close!) 4:51 1-13 Bad 6:25 1-14 Where The Streets Have No Name 6:43 1-15 Bullet The Blue Sky 7:56 1-16 With Or Without You 5:23 1-17 The Fly 8:03 1-18 Wake Up Dead Man 1:22 1-19 Walk On 5:12 1-20 Walk On / End Title 2:36 Documentary 1-21 The Making Of The Filming Of Elevation 2001: U2 Live From Boston 23:54 Hidden Feature 1-22 Elevation (Bono Cam) 3:58 Another Perspective - The Concert With Alternative Angles 2-1a Elevation (Standard Perspective) 5:19 2-1b Elevation (Fancam Perspective) 5:19 2-1c Elevation (Directorcam Perspective) 5:19 2-2a Stuck In A Moment You Can't Get Out Of (Standard Perspective) 4:37 2-2b Stuck In A Moment You Can't Get Out Of (Fancam Perspective) 4:37 2-2c Stuck In A Moment You Can't Get Out Of (Directorcam Perspective) 4:37 2-3a Gone (Standard Perspective) 4:55 2-3b Gone (Fancam Perspective) 4:55 2-3c Gone (Directorcam Perspective) 4:55 2-4a I Will Follow (Standard Perspective) 5:34 2-4b I Will Follow (Fancam Perspective) 5:34 2-4c I Will Follow (Directorcam Perspective) 5:34 2-05a In A Little While (Standard Perspective) 5:33 2-5b In A Little While (Fancam Perspective) 5:33 2-5c In A Little While (Directorcam Perspective) 5:33 2-6a Stay (Faraway, So Close!) (Standard Perspective) 4:47 2-6b Stay (Faraway, So Close!) (Fancam Perspective) 4:47 2-6c Stay (Faraway, So Close!) (Directorcam Perspective) 4:47 2-7a Bad (Standard Perspective) 6:35 2-7b Bad (Fancam Perspective) 6:35 2-7c Bad (Directorcam Perspective) 6:35 2-8a Where The Streets Have No Name (Standard Perspective) 6:29 2-8b Where The Streets Have No Name (Fancam Perspective) 6:29 2-8c Where The Streets Have No Name (Directorcam Perspective) 6:29 2-9a Bullet The Blue Sky (Standard Perspective) 7:58 2-9b Bullet The Blue Sky (Fancam Perspective) 7:58 2-9c Bullet The Blue Sky (Directorcam Perspective) 7:58 2-10a With Or Without You (Standard Perspective) 5:43 2-10b With Or Without You (Fancam Perspective) 5:43 2-10c With Or Without You (Directorcam Perspective) 5:43 2-11a Wake Up Dead Man (Standard Perspective) 1:53 2-11b Wake Up Dead Man (Fancam Perspective) 1:53 2-11c Wake Up Dead Man (Directorcam Perspective) 1:53 2-12a Walk On (Standard Perspective) 7:24 2-12b Walk On (Fancam Perspective) 7:24 2-12c Walk On (Directorcam Perspective) 7:24 Documentary 2-13 Road Movie - Timelapse Of A Day On The Road 6:10 Additional Tracks 2-14 Beautiful Day (From Dublin, September 2000) Mixed By – Richard Rainey Recorded By – Richard Rainey 4:03 2-15 Elevation (From Miami, 1st Show Souvenir, March 2001) Film Director – Jofre Rosero Recorded By – Joe O'Herlihy 4:59 2-16 Stuck In A Moment You Can't Get Out Of (Hanover, Dublin And France, July 200) Other [Filmed By] – James Mather, Joe Edwards Other [Video Editing] – Brian McCue 4:30 Trailers 2-17 ZooTV Live From Sydney 1:40 2-18 PopMart Live From Mexico City 2:23 Hidden Feature 2-19 Until The End Of The World (Bono Cam) 5:09

Bolgna, Editrice Il Campo 1980, cm.17x24, pp.286, legatura editoriale in tutta tela.