The History of England from the Invasion of Julius Caesar to the Revolution in 1688. Vol.I-V. A new edition, with the Author's last corrections and improvements. To which is prefixed a short account of his life, written by himself.

Introduz.di Paolo Casini. Bari, Laterza Ed. 1994, cm.11x21, pp.153, brossura con bandelle,cop.fig. Coll.Economica,26.

Introduction by Tom Brokaw. Essay by Smith Richard Norton. Austin, Center for American History, University of Texas 2007, cm.27,5x35, pp.232 di figure e tavole bn, legatura editoriale in tutta tela, con sopraccoperta figurata. Cofanetto. Deluxe edition. I assume the presidency under extraordinary circumstances.--President Gerald R. Ford, August 9, 1974 Gerald R. Ford stepped into the American presidency during a constitutional crisis that many believed was the country's worst since the Civil War. Extraordinary Circumstances is a stunning collection of behind-closed-doors images by President Ford's personal photographer, David Hume Kennerly. Seen here are intimate scenes of the inner workings of the White House; Ford's family and much-beloved wife Betty; and many of the twentieth-century's most compelling and elusive figures, including Queen Elizabeth II, Leonid Brezhnev, Emperor Hirohito, Deng Xioping, Anwar Sadat, Yitzhak Rabin, Richard Nixon, Andy Warhol, and George Harrison. The book follows Gerald Ford from the day President Nixon appointed him as vice president through the tumultuous early crises of his presidency, including his controversial pardon of Nixon, the U.S. withdrawal from Vietnam, and his wife Betty's breast cancer, to the end of his presidency after losing to Jimmy Carter. Adding depth and perspective to the photos are excerpts from exclusive interviews with President Ford, President Jimmy Carter, President George H. W. Bush, Henry Kissinger, Donald Rumsfeld, Richard Cheney, Alan Greenspan, and other prominent members of the Ford administration. Extraordinary Circumstances is sponsored and published by the Center for American History at the University of Texas at Austin, the home of the David Hume Kennerly Photographic Archive. It features an introduction by NBC's Tom Brokaw and an overview of Ford's life by famed historian Richard Norton Smith.

A cura di Lia Formigari. Roma, Editori Riuniti 1975, cm.12x18,5, pp.318, brossura Collana Le Idee,104.

Traduz.e cura di Martino Doni. Postfaz.di Richard Davies. Milano, Ediz.Medusa 2005, cm.14x22, pp.122, brossura sopracop.fig.a col. Coll.Le Porpore,13.

Roma, "L'Erma"di Bretschneider 1967, cm.16x23, pp.200, legatura editoriale in pelle, nervi e scritte in oro sul dorso. Coll. Studia Historica,40. Ristampa dell'edizione di Pisa,1911.

A cura di Manlio Torquato Dazzi. Milano, Mondadori 1934, cm.14x20, pp.XLVI,102, ritratto bn.in antiporta. brossura Coll.I Capolavori di Carlo Goldoni,1.

Firenze, Sismel Ediz.del Galluzzo 1997, cm.15x23, pp.VIII,266, 12 tavv. ft. brossura copertina figurata a colori. Coll.Micrologus,V. A. Paravicini Bagliani, Premessa - C. Trottmann, «Facies» et «essentia» dans les conceptions médiévales de la vision de Dieu - T. Ricklin, Vue et vision chez Guillaume de Conches et Guillaume de Saint-Thierry - J. P. Torrell, La vision de Dieu «per essentiam» selon Thomas d’Aquin - R. Imbach-F. X. Putallaz, Le terme «imago» chez Thomas d’Aquin - Z. Kaluza, Voir: la clarté de la conaissance chez Nicolas d’Autrecourt - K. Flasch, Nicolaus Cusanus, Vom Sehen Gottes - G. Spinosa, Visione sensibile e intellettuale: semantica della visione medievale - C. Genequand, Vue et vision chez les philosophes et théologiens arabes - L. M. Eldredge, The anatomy of the eye in the Thirteenth Century - G. Federici Vescovini, Vision et réalité dans la perspective au XIVe siècle - A. Sorci, Dalla metafisica della luce alla fisica della luce in Biagio da Parma - K. H. Tachau, «Perspectiva» and «Astrologia» in Late Medieval Thought - G. Stabile, Teoria della visione come teoria della conoscenza. Indice dei nomi - Indice lessicale - Indice dei manoscritti.

Roma, Ediz.dell'Ateneo 1961, cm.17x24, pp.28, brossura Quaderni della Rivista di Cultura Classica e Medievale.