I dipinti di Berlino.

Tables des matières; Portraits : Caron, Raphaël, Mabuse, Lotto, Baldung-Grien, Huber, Clouet, Goltzius, Le Bernin, Rigaud, Fragonard, Goya, Kokoschka, Léger. Cités et paysages : Bosch, Dürer, Huber, Giorgione, Beccafumi, Le Lorin, Fouquières, Berchem, Savery, Guardi, Robert, Granet, Ruskin, Mallord/Turner, Cézanne, Marin, Feininger, Klee, Mondrian, Leonardo da Vinci. Dessin de nu : Michel-Ange, Fiorentino, Cellini, Pontormo, Carrache, Baldung-Grien, Carducho, de Gheyn II, Rembrandt, Watteau, Boucher, Géricault, Prud'hon, Modigliani, Picasso, de Kooning, Maratta, Rubens, Bandinelli.Animaux : de'Grassi, Pisanello, Schongauer, del Sarto, Fyt, Delacroix, Miro, Cesari, OudryNast, Sisley, Landry.Mythes et allégories : Le Primatice, Vasari, dell'Abate, Le Tintoret, de Ribera, Poussin, da Cartona, Romney, NatoireMoreau, Redon, de Chirico, Grosz.Scènes religieuses : Gaddi, Monaco, Van Eyck, Van der Goes, Mantegna, Altdorfer, Holbein le Jeune, Véronèse, Pontormo, Cano, Rosa, Von Carolsfeld.Dessin de genre : de'Grassi, Bellini, Caron, Liss, Buytewech, Avercamp, Jordaens, Alcazar, Monet.Nature morte : Millet, Oudry, Huysum, Cropsey, Demuth.Dessin architectural et décoratif : Amman, Flötner, Salviati, Zucchi, Fréminet, Blanchet, Guardi., Paris, Edita Lausanne/Vilo 1975, cm.28x29,5, pp.264, centinaia di figg.a col.nt. legatura ed.soprac.fig.

Milano, Magnus Ed. 1997, cm.25,5x30,5, pp.656, centinaia di figure a colori nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Le Grandi Opere.

Firenze, Sansoni 1964, cm.18x25, pp.20, brossura Collana Biblioteca degli Eruditi e dei Bibliofili,89. Ediz.num.in 333 esemplari.

Milano, Fenice Ed. 1995, cm.22x30, pp.360, numerose illustrazioni bn.e a colori nel testo legatura editoriale con sopraccoperta figurata a colori. Collana I Cataloghi d'Arte. Importante repertorio dei pittori italiani dell'Ottocento con schede biografiche e valutazioni. Importante apparato iconografico con tavole a colori e illustrazioni in bianco e nero. Strumento vasto e utile per muoversi nel mondo dell'arte

Modena, Atestina d'Arte Editrice 1978, cm.21x29,7, pp.229,(3), alcune ill. e atvv. in bn. nt. e LXVII tavv. ft.- di cui 14 a colori, brossura, cop. fig. a colori.

Prato, Aurora Boreale 2023, cm.15x21,5, pp.60, illustrazioni. brossura con copertina figurata a colori. Supreme among the wonders of antiquity, unrivaled by the achievements of later architects and builders, the Great Pyramid of Gizeh bears mute witness to an unknown civilization which, having completed its predestined span, passed into oblivion. Eloquent in its silence, inspiring in its majesty, divine in its simplicity, the Great Pyramid is indeed a sermon in stone. Its magnitude overwhelms the puny sensibilities of man. Among the shifting sands of time it stands as a fitting emblem of eternity itself. Who were the illumined mathematicians who planned its parts and dimensions, the master craftsmen who supervised its construction, the skilled artisans who trued its blocks of stone? The essay by Manly Palmer Hall that our publishing house is now proposing to modern readers,The Initiation of the Pyramid, was one of the most interesting chapters of his monumental workThe Secret Teachings of All Ages, published in San Francisco in 1928.